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                <text>Antonio Ramos en Hollywood</text>
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                <text>1921-07-09</text>
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                <text>Publicada en una revista cinematogr&amp;aacute;fica norte-americana, la fotograf&amp;iacute;a muestra a Antonio Ramos Espejo durante su visita a Hollywood. Ramos aparece junto al actor y director James Kirkwood en el set de la pel&amp;iacute;cula &lt;em&gt;The Great Impersonator&lt;/em&gt; (dir. George Melford, 1921) en los estudios Lasky.</text>
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                <text>&lt;span&gt;TORO ESCUDERO Juan Ignacio.&amp;nbsp;&lt;/span&gt;&lt;em&gt;Del burdel al emporio cinematogr&amp;aacute;fico: el papel fundamental, olvidado, principal y pionero del soldado espa&amp;ntilde;ol Antonio Ramos Espejo en el nacimiento del cino chino&lt;/em&gt;&lt;span&gt;. Universidad Complutense de Madrid (tesis doctoral), 2016.&lt;/span&gt;</text>
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                <text>&lt;em&gt;The Exhibitors Herald,&lt;/em&gt; vol. XIII, n&amp;ordm;. 2, 9 de julio de 1921, pag. 72</text>
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        <name>comunidad española en Shanghai</name>
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                <text>Antonio Ramos featured in the Spanish press</text>
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                <text>1944-01-15</text>
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                <text>Some 15 years after he decided to return to Spain, a Madrid sports newspaper published this piece that summarises &lt;a href="http://ace.uoc.edu/exhibits/show/galeria-de-personajes/antonio-ramos"&gt;Antonio Ramos&lt;/a&gt;' life and accomplishements in China, from his pioneering film screenings to the construction of seven cinema theaters in Shanghai and his producing of local films. &lt;br /&gt;&lt;br /&gt;In addition to three portraits (obtained in the final months before his death), the piece includes a photograph of &lt;a href="http://ace.uoc.edu/items/show/112"&gt;his mansion&lt;/a&gt;&amp;nbsp;in Shanghai, designed by architect Abelardo Lafuente and currently standing in&amp;nbsp;&lt;span&gt;250 Duolun Lu.&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;The document has been discovered by architect &amp;Aacute;lvaro Leonardo during his PhD research on the life and works of architect Abelardo Lafuente.</text>
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                <text>&lt;em&gt;Marca&amp;nbsp;&lt;/em&gt;(Madrid), January 15, 1944</text>
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                <text>&lt;span&gt;LEONARDO P&amp;Eacute;REZ, &amp;Aacute;lvaro (2019).&amp;nbsp;&lt;/span&gt;&lt;em&gt;Abelardo Lafuente Garc&amp;iacute;a-Rojo (1871-1931), un arquitecto espa&amp;ntilde;ol en China&lt;/em&gt;&lt;span&gt;&amp;nbsp;(Madrid: Universidad Alcal&amp;aacute; de Henares, unpublished PhD thesis).&amp;nbsp;&lt;/span&gt;</text>
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        <name>Abelardo Lafuente</name>
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                <text>Anuncio del Victoria Cinematograph de Shanghai, propiedad de Antonio Ramos</text>
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                <text>Anuncio de la pel&amp;iacute;cula&amp;nbsp;&lt;em&gt;Red lights&lt;/em&gt;&amp;nbsp;(estrenada en chino como 可怕的红灯), filmada en 1923 por el director&amp;nbsp;&lt;span class="itemprop"&gt;Clarence G. Badger, y&amp;nbsp;&lt;/span&gt;que se estren&amp;oacute; en Shanghai en el Victoria Cinematograph 维多利亚大戏院 de la calle Haining Road, n&amp;uacute;mero 24. Este era uno de los cines propiedad de Antonio Ramos Espejo, uno de los principales exhibidores de la ciudad.</text>
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                <text>&lt;em&gt;Shenbao&lt;/em&gt;, n&amp;ordm; 18.662, 15 de febrero de 1925, p. 20.</text>
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                <text>Banquete en el consulado español de Shanghai</text>
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                <text>La fotografía muestra algunos de los miembros de la comunidad española en Shanghai, como los Mencarini, el empresario Antonio Ramos o el arquitecto Abelardo Lafuente, así como diferentes religiosos, durante la celebración de San José en el consulado de Shanghai.</text>
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                <text>&lt;em&gt;ABC&lt;/em&gt; (Madrid), nº. 5.019, 24 de marzo de 1919</text>
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                <text>&lt;span&gt;LEONARDO PÉREZ, Álvaro (2019).&amp;nbsp;&lt;/span&gt;&lt;em&gt;Abelardo Lafuente García-Rojo (1871-1931), un arquitecto español en China&lt;/em&gt;&lt;span&gt;&amp;nbsp;(Madrid: Universidad Alcalá de Henares, unpublished PhD thesis).&amp;nbsp;&lt;/span&gt;</text>
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        <name>Abelardo Lafuente</name>
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        <name>Gaudencio Castrillo</name>
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        <name>Gerónimo Canda</name>
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        <name>Gerónimo Candel</name>
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                <text>Declaraciones de un ex cónsul de España en Shanghai</text>
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                <text>El artículo recoge declaraciones de Julio Palencia Tubau, cónsul en Shanghai en dos periodos, de 1916 a 1920 y, tras un breve interludio en Ciudad del Cabo, de 1922 a 1927, cuando fue destinado a Tetuán.&#13;
&#13;
De la comunidad española en Shanghai, Palencia destaca la labor de las órdenes agustina y recoleta, así como una serie de profesionales: Abelardo Lafuente, Antonio Ramos, Francisco Aboitiz, Jerónimo Candel, Alberto Cohen y Federico Sardá.</text>
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                <text>"Declaraciones de un ex c&amp;oacute;nsul de Espa&amp;ntilde;a en Shanghai", &lt;em&gt;El D&amp;iacute;a de Palencia&lt;/em&gt;, a&amp;ntilde;o XXXVIII, &amp;eacute;poca 2&amp;ordf;, n&amp;ordm;. 11706, 2 de febrero de 1927 / Biblioteca Virtual de Prensa Hist&amp;oacute;rica</text>
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        <name>Abelardo Lafuente</name>
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                <text>Dibujo de Antonio Ramos como 'emperador del cine'</text>
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                <text>1933-07-21</text>
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                <text>En el pie de foto se lee: "Figuras cinemotográfícas—Don Antonio Ramos, primer emperador de la dinastía cinematográfica en Shanghai. Como buen español dinámico y aventurero, corrió por lejanas tierras, llevando el cine a China, donde estableció y propulsó su espectáculo, Helo aquí sorprendido a lomos del simbólico dragón oteando el panorama de su imperio."</text>
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                <text>&lt;em&gt;Nuevo Mundo&lt;/em&gt; (Madrid), a&amp;ntilde;o 40, N&amp;ordm;. 2.054, 21 de julio de 1933, pag. 29 / Biblioteca nacional de Espa&amp;ntilde;a.</text>
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                <text>Double-page visual report on Shanghai cinemas</text>
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                <text>1931-10</text>
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                <text>A collection of photographs of the cinemas of Shanghai in the 1930s, among which some of Antonio Ramos' initiatives, such as the&amp;nbsp;&lt;a href="http://ace.uoc.edu/items/show/1139"&gt;Embassy&lt;/a&gt;&amp;nbsp;and the&amp;nbsp;&lt;a href="http://ace.uoc.edu/items/show/1151"&gt;Hongkew&lt;/a&gt;.</text>
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                <text>&lt;em&gt;Liangyou huabao&lt;/em&gt; 良友畫報, num. 62, October 1931.</text>
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        <name>Liangyou Huabao</name>
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                <text>Edificio de Apartamentos Ramos, de Abelardo Lafuente</text>
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                <text>1924</text>
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                <text>Edificio construido por Abelardo Lafuente en la calle North Szechuan Road (actual 2081-2093, North Sichuan Road) para su amigo y mecenas, el empresario Antonio Ramos. El inmueble sigue en pie en la actualidad. &#13;
&#13;
El inmueble posee cuatro núcleos de escalera que en cada planta sirven a dos apartamentos cada uno. Originalmente se hizo de planta baja más tres pero con posterioridad se le añadió la cuarta planta que lo corona hoy en día. Todos los apartamentos son pasantes de la fachada delantera hasta la trasera y se organizan alrededor de un patio de luces interior en la parte posterior. Este elemento, tan común en la arquitectura española, es algo muy poco utilizado en China, donde los patios de luces en este tipo de edificios son casi inexistentes, lo cual dota a este inmueble de un mayor interés a nivel arquitectónico y constructivo.&#13;
&#13;
Actualmente, una placa en la fachada lo distingue como bien cultural, tanto por su valor arquitectónico como por el hecho de que el escritor Lu Xun residió en el tercer piso en los años treinta.&#13;
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                <text>&lt;p&gt;LEONARDO P&amp;Eacute;REZ, &amp;Aacute;lvaro (2019). &lt;em&gt;Abelardo Lafuente Garc&amp;iacute;a-Rojo (1871-1931), un arquitecto espa&amp;ntilde;ol en China&lt;/em&gt; (Madrid: Universidad Alcal&amp;aacute; de Henares, unpublished PhD thesis). Resumen proveniente de la ficha edificio 14.25 en p&amp;aacute;ginas 391-394.&lt;/p&gt;</text>
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                <text>Álvaro Leonardo Pérez</text>
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        <name>comunidad española en Shanghai</name>
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        <name>Shanghai</name>
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                <text>Embassy cinema</text>
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                <text>1928 ca.</text>
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                <text>The building was designed by Spanish architect Abelardo Lafuente for film impresario Antonio Ramos in 1914 to host the Olympic cinema (Xialingpeike夏令配克). Located in 126 Bubbling Well Road (present Nanjing West Road), it was later renamed Embassy.&#13;
&#13;
The style of the facade is eclectic, in line with the typical theaters of mid-19th Spain that Lafuente had known. The neo-classical lines of façade accorded with the style of the street. The interiors were designed in the neo-Arabic style introduced by Lafuente in Shanghai, in houses mostly designed for Spanish clients. &#13;
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                <text>&lt;em&gt;Virtual Shanghai,&lt;/em&gt;&lt;span&gt;&amp;nbsp;ID&amp;nbsp;&lt;/span&gt;&lt;a href="https://www.virtualshanghai.net/Photos/Images?ID=1972"&gt;1972&lt;/a&gt;</text>
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                <text>Álvaro Leonardo Pérez</text>
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                <text>&lt;span&gt;LEONARDO P&amp;Eacute;REZ, &amp;Aacute;lvaro (2019). Abelardo Lafuente Garc&amp;iacute;a-Rojo (1871-1931), un arquitecto espa&amp;ntilde;ol en China (Madrid: Universidad Alcal&amp;aacute; de Henares, unpublished PhD thesis).&amp;nbsp;&lt;/span&gt;</text>
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                <text>Antonio Ramos aparece en primera plano en esta foto de los mayores empresarios del sector cinematográfico de Shanghai.</text>
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                <text>"中國影戲事業領袖之合影",&amp;nbsp;&lt;em&gt;ShenBao&lt;/em&gt;&lt;span&gt;&amp;nbsp;申报, 10 de octubre de 1923&lt;/span&gt;</text>
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