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      <name>08 Objeto gráfico</name>
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                <text>Partitura del foxtrot 'Shanghai' de Ramon Vives</text>
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                <text>1944</text>
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                <text>Interpretado por Elsie Bayron y la Orquesta Bizarros, este foxtrot, compuesto por Ramon Vives y editado por el también compositor Eduardo Algueró, incluye en su letra algunos de los tópicos más recurrentes sobre la ciudad de Shanghai.&lt;br /&gt;&lt;br /&gt;&#13;
&lt;p&gt;&lt;em&gt;Shanghai,&lt;/em&gt;&lt;br /&gt;&lt;em&gt;con tus ardientes placeres&lt;/em&gt;&lt;br /&gt;&lt;em&gt;y tus recuerdos nublosos&lt;/em&gt;&lt;br /&gt;&lt;em&gt;atraes mi corazón.&lt;/em&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;em&gt;Shanghai,&lt;/em&gt;&lt;br /&gt;&lt;em&gt;con tu misterio y leyenda&lt;/em&gt;&lt;br /&gt;&lt;em&gt;mantienes viva la hoguera&lt;/em&gt;&lt;br /&gt;&lt;em&gt;de una ferviente ilusión.&lt;/em&gt;&lt;/p&gt;&#13;
&lt;br /&gt;La grabación ha sido digitalizada por la Biblioteca Digital Hispánica (&lt;a href="http://bdh.bne.es/bnesearch/detalle/bdh0000011866"&gt;aquí&lt;/a&gt; para acceder).</text>
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                <text>Augusto Algueró</text>
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                <text>Imagen: Todocolección (web)&#13;
&#13;
Audio: Shanghai [Grabación sonora] :foxtrot con refrán cantado / Ramón Vives. / Biblioteca Digital Hispánica, DS/122/18</text>
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                <text>Compañía del Gramófono Odeon</text>
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                <text>Castellano</text>
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                <text>Plano de Changai</text>
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                <text>1895 (ca.)</text>
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                <text>Seguí Editores (Barcelona)</text>
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                <text>12 x 13 cm</text>
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                <text>Membrete de la firma Beraha &amp; Stetten Ltd.</text>
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                <text>S&amp;Aacute;NCHEZ, Juan Pablo. "&lt;a href="http://esefarad.com/?p=52167"&gt;La peque&amp;ntilde;a colonia judio-espa&amp;ntilde;ola en la Shanghai de los a&amp;ntilde;os 20&lt;/a&gt;"&lt;em&gt;, ESefarad,&amp;nbsp;&lt;/em&gt;19 de diciembre de 1913.</text>
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                <text>Beraha y Stetten (&lt;em&gt;Belaiheng yanghang&lt;/em&gt; 倍来亨洋行) era una empresa dedicada al comercio de productos de lujo (tallado de piedras semipreciosas, distribuci&amp;oacute;n de relojes suizos como Omega y Tissot) y tabacos (agentes para tabocos franceses). Su propietario, Mateo Beraha, era un jud&amp;iacute;o sefard&amp;iacute; de origen turco nacionalizado espa&amp;ntilde;ol.</text>
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          <description>The type of object, such as painting, sculpture, paper, photo, and additional data</description>
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                <text>Contrato entre Teodoro Jauregui y el pelotari A. Vicente</text>
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                <text>Teodoro Jauregui,  en calidad de "Intendente y Arrendantario" del  Auditorium de Shanghai, firma un contrato con el pelotari A. Vicente el 17 de mayo del 1932. El contrato detalla las condiciones (el pelotari deberá jugar todos los días de la semana, si así se le ordena; deberá tener seis cestas en buen estado) y el sueldo: 1.350 dólares mexicanos mensuales.</text>
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                <text>ZULAIKA, Juan Ignacio.&amp;nbsp;"&lt;a href="http://txik-txak-zula.blogspot.com/2009/08/jai-alai-in-china.html"&gt;Jai-Alai In China&lt;/a&gt;", &lt;em&gt;Zulaika's Jai-Alai (&lt;/em&gt;blog) (24/8/2009).</text>
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              <text>Cartel promocional</text>
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                <text>Anuncio de jai alai en el Auditorium</text>
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                <text>1930 (ca.)</text>
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                <text>El anuncio detalla los horarios de las competiciones: cada día a las 19:30h, y sesión doble, a las 14:30h y las 20h, los sábados y domingos. </text>
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                <text>KANAGARATNAM, Tina, "&lt;a href="http://www.shanghaiartdeco.net/lost-treasure-shanghais-jai-alai-auditorium/"&gt;Dangerous Game: Shanghai&amp;rsquo;s Hai Alai Auditorium&lt;/a&gt;" &lt;em&gt;Shanghai Art Dec&lt;/em&gt; (20/2/2015).</text>
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      <name>03 Fotografía</name>
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                <text>Mini golf del Auditorium</text>
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                <text>1932-04-23</text>
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                <text>A&amp;Ntilde;IBARRO, V&amp;iacute;ctor R. "La exportaci&amp;oacute;n de pelotaris", &lt;em&gt;Estampa&lt;/em&gt;, a&amp;ntilde;o 5. N&amp;ordm;. 224, 23 de abril de 1932 / Biblioteca nacional de Espa&amp;ntilde;a.</text>
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                <text>El Auditorium de Shanghai, adem&amp;aacute;s de albergar las competiciones de hai alai, ten&amp;iacute;a un mini golf, del que &lt;a href="http://ace.uoc.edu/items/show/282"&gt;un art&amp;iacute;culo &lt;/a&gt;de &lt;em&gt;Estampa&lt;/em&gt; public&amp;oacute; una fotograf&amp;iacute;a.</text>
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                <text>Monedas del Auditorium</text>
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                <text>En el reportaje que V&amp;iacute;ctor A&amp;ntilde;ibarro escribi&amp;oacute; sobre el Auditorium ("&lt;a href="http://ace.uoc.edu/items/show/282"&gt;La exportaci&amp;oacute;n de pelotaris&lt;/a&gt;", &lt;em&gt;Estampa&lt;/em&gt;, 23 de abril de 1932), se comenta el hecho de que&#13;
&lt;blockquote&gt;para que los clientes no anden remisos a la hora de echar mano al bolsillo, no faltan facilidades tampoco; entre ellas, una buena instalaci&amp;oacute;n de afichaje y hasta una monedapapel de 0,10 d&amp;oacute;lares, para facilitar los cambios, de curso obligado en todos los establecimientos de Shanghai.&lt;/blockquote&gt;</text>
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                <text>FROST, Konrad. "&lt;a href="http://china-mint.info/forum/index.php?topic=11740.0"&gt;Shanghai Jai-alai Auditorium&lt;/a&gt;", &lt;em&gt;Chinese Coin Forum&lt;/em&gt;, 29/9/ 2015.</text>
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        <name>Shanghai</name>
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      <name>03 Fotografía</name>
      <description>A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials.</description>
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                <text>Retrato de Felix Bouvier</text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>1933</text>
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            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
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                <text>NELLIST, George. &lt;em&gt;Men of Shanghai and North China&lt;/em&gt;. Shanghai: The Oriental Press, 1933, pag. 35.</text>
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                <text>Junto a Teodoro Jauregui, el francés Felix Bouvier fue el impulsor del Auditorium de Shanghai y del negocio del hai alai.</text>
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        <name>Concesión Francesa</name>
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        <name>Felix Bouvier</name>
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        <name>retratos</name>
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        <name>Shanghai</name>
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      <name>03 Fotografía</name>
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    <elementSetContainer>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Retrato del pelotari José Andrés Argoitia</text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>1930</text>
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            <name>Description</name>
            <description>An account of the resource</description>
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              <elementText elementTextId="132">
                <text>José Andrés Argoitia (Markina, 1901-1980) llegó a Shanghai en 1934 tras jugar en algunos de los grandes frontones del mundo, como el de el Cairo o La Habana, donde se tomó la fotografía.</text>
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            </elementTextContainer>
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            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
            <elementTextContainer>
              <elementText elementTextId="133">
                <text>ESTORNES, C&amp;eacute;sar. "&lt;a href="http://memoriasclubdeportivodebilbao.blogspot.com.es/2015/02/jose-andres-argoitiaun-pelotari-en.html"&gt;Jos&amp;eacute; Andr&amp;eacute;s Argoitia, un pelotari en Shanghai&lt;/a&gt;", &lt;em&gt;Blog de C&amp;eacute;sar Estornes de historia y deporte&lt;/em&gt;, (1/2/2015).&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;</text>
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        <name>Argoitia</name>
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        <name>jai alai</name>
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      <tag tagId="625">
        <name>José Andrés Argoitia</name>
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        <name>pelotaris</name>
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        <name>retratos</name>
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        <name>Shanghai</name>
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      <name>01 Texto</name>
      <description>A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text.</description>
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        <name>Dublin Core</name>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Información del jai alai en una publicación turística</text>
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            </elementTextContainer>
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          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>1930s</text>
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          <element elementId="48">
            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
            <elementTextContainer>
              <elementText elementTextId="137">
                <text>FRONST, Konrad. "&lt;a href="http://china-mint.info/forum/index.php?topic=11740.0"&gt;Shanghai Jai-alai Auditorium&lt;/a&gt;", &lt;em&gt;Chinese Coin Forum&lt;/em&gt;, 29/9/ 2015.</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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                <text>Una guía  de Shanghai de los años treinta incluye, en su sección de ocio, los siguientes comentarios sobre el jai alai: "Un viaje a Shanghai sin visitar el Hai-alai sería perderse una gran entretenimiento" y "Un deporte originario de España, ahora el más popular de China".</text>
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        <name>jai alai</name>
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        <name>Shanghai</name>
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