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                <text>Targeta de visita del escritor ocultista  Fu Zhaohua 傅兆華 (transliterado en la época como Fu Chau-fa).</text>
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                <text>G&amp;Oacute;MEZ DE LA SERNA, Ram&amp;oacute;n, "Siluetas. Tipos raros de Pombo", &lt;em&gt;Estampa&lt;/em&gt;, a&amp;ntilde;o 8, N&amp;ordm;. 370, 16 de febrero de 1935, pag. 17 / Biblioteca nacional de Espa&amp;ntilde;a.</text>
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                <text>Cuadro sinóptico que representa el pensamiento de  Fu Zhaohua 傅兆華 (en la época transliterado como Fu Chau-fa), reproducido  en un reportage sobre su figura publicado en un semanario gráfico catalán.&#13;
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                <text>MEJ&amp;Iacute;A, Josep, "Fu-Chau-Fa, fill de la casualitat en terres de Xina &amp;uacute;nic salvador del m&amp;oacute;n sencer", &lt;em&gt;Imatges&lt;/em&gt;, a&amp;ntilde;o I, N.&amp;ordm; 21, 29 de octubre de 1929, pag. 14</text>
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                <text>Caricatura de Salvador Bartolozzi del escritor ocultista  Fu Zhaohua 傅兆華 (llamado en la época Fu Chau-fa), que acompaña un perfil escrito por Ramón Gómez de la Serna.</text>
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                <text>SAINZ DE MORALES, Llu&amp;iacute;s. "La Xina a Barcelona", &lt;em&gt;Imatges&lt;/em&gt;, a&amp;ntilde;o I, N&amp;ordm;. 15, 17 de septiembre de 1930, pags. 10-11 / Biblioteca de Catalunya.</text>
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                <text>El señor Liau, ciudadano chino residente en Barcelona en los años treinta, indica un punto de China en un mapa (seguramente, su lugar de origen en la provincia de Guagdong) al periodista Lluís Sainz de Morales durante una entrevista publicada en la revista Imatges. &#13;
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                <text>La  invasión japonesa en China</text>
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                <text>"La invasi&amp;oacute;n japonesa en China", &lt;em&gt;Cr&amp;oacute;nica&lt;/em&gt;, a&amp;ntilde;o X, N&amp;ordm;. 427, 16 de enero de 1938 / Biblioteca nacional de Espa&amp;ntilde;a.</text>
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                <text>Breve nota dando cuenta del inicio de la invasión japonesa a China y comparando la situación a la que sufre España.</text>
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                <text>Portada del semanario sat&amp;iacute;rico &lt;em&gt;&amp;iexcl;Cu-Cut!&lt;/em&gt;</text>
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            <name>Date</name>
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                <text>1904-02-18</text>
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                <text>Gaietà Cornet i Palau (Net) caricaturizó el conflicto bélico entre Japón y Rusia de 1904 por Manchuria y Corea como una pelea por una billetera y un reloj de bolsillo que, previamente, le habían sido arrebatados a una China que, atada y amordazada, los observa desde el fondo.</text>
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                <text>&lt;em&gt;&amp;iexcl;Cu-Cut!,&lt;/em&gt; a&amp;ntilde;o III, N&amp;ordm;. 112, 18 de febrero de 1904.</text>
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                <text>Portada de &lt;em&gt;6 Falsas novelas: Rusa, China, Tártara, Negra, Alemana&lt;/em&gt;, de Ram&amp;oacute;n G&amp;oacute;mez de la Serna</text>
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                <text>1927</text>
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                <text> GÓMEZ DE LA SERNA, Ramón. 6 Falsas novelas: Rusa, China, Tártara, Negra, Alemana, Americana. Paris: Agencia Mundial de Librería, cop. 1927</text>
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                <text>El volumen incluye “Los dos marineros (falsa novela china)”, en la que Niquita, que fielmente ha esperado a su amado Yama mientras ha estado en la mar desconfía de él y lo sigue hasta el puerto y sus burdeles. Dirige entonces su atención a Nachari, que vive en el bosque y también es pescador, pero de río. La novela, un ejercicio de evocación y preciosismo, acaba con la muerte de Yama a manos de Nachari.</text>
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        <name>Ramón Gómez de la Serna</name>
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