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      <name>03 Fotografía</name>
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                <text>Fotografía del pueblo oriental en la Exposición Universal de Barcelona</text>
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                <text>1929</text>
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                <text>"&lt;a href="http://barcelofilia.blogspot.com.es/2015/10/poble-orientalyy-1929-1930.html"&gt;POBLE ORIENTAL. Exposici&amp;oacute; de 1929. Montju&amp;iuml;c (1929-1930)&lt;/a&gt;", &lt;em&gt;Barcelof&amp;iacute;lia &lt;/em&gt;(web),&amp;nbsp;8 de octubre de 2015.</text>
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                <text>Imagen de la calle de Hong Kong en el Pueblo Oriental construido para la Exposición Universal de 1929 en Barcelona.&#13;
&#13;
El Pueblo Oriental se construyó en el emplazamiento del actual INEFC (Institut Nacional d'Educació Física de Catalunya) e incluía edificios "típicos" de la India, Hong Kong o Marruecos.&#13;
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      <name>01 Texto</name>
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                <text>Anuncio del Pueblo Oriental</text>
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                <text>1929</text>
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                <text>&lt;em&gt;La Vanguardia&lt;/em&gt;, 23 junio 1929, pag. 29</text>
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                <text>El Pueblo Oriental se construyó para la Exposición Universal de 1929 en Barcelona en la montaña de Montjuich.</text>
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        <name>China en España</name>
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      <name>08 Objeto gráfico</name>
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                <text>Portada de&lt;em&gt; China en Ascuas&lt;/em&gt;, de Alberto Londres y Gonzalo de Reparaz</text>
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                <text>1927</text>
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                <text>Traducci&amp;oacute;n de Eduard Toda Valc&amp;aacute;rcel (hijo del diplom&amp;aacute;tico Eduard Toda i G&amp;uuml;ell) de la novela de aventuras&amp;nbsp;&lt;em&gt;La Chine en folie&lt;/em&gt; (1925) de Albert Londres. La edici&amp;oacute;n espa&amp;ntilde;ola incluye un ap&amp;eacute;ndice de 74 p&amp;aacute;ginas del ge&amp;oacute;grafo Gonzalo de Reparaz ("China a vista de p&amp;aacute;jaro")&amp;nbsp;en el que hace una descripci&amp;oacute;n geogr&amp;aacute;fica de China y de su situaci&amp;oacute;n pol&amp;iacute;tica, discutiendo los acontecimientos de diciembre de 1926.&lt;br /&gt;&lt;br /&gt;</text>
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                <text>LONDRES, Alberto y Gonzalo de REPARAZ. &lt;em&gt;China en ascuas: El peligro amarillo en marcha&lt;/em&gt;. Barcelona: Mentora, 1927.</text>
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                  <text>'Trece crónicas de viaje', de Ricardo Martorell </text>
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                  <text>&lt;h4&gt;&amp;nbsp;&lt;/h4&gt;&#13;
&lt;br /&gt;Esta colecci&amp;oacute;n recoge las fotograf&amp;iacute;as de China inclu&amp;iacute;das en el libro de Ricardo Martorell. El mismo Martorell, en el texto, hace referencia a las fotograf&amp;iacute;as que obtuvo &amp;eacute;l mismo.</text>
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                  <text>MARTORELL T&amp;Eacute;LLEZ-GIR&amp;Oacute;N, Ricardo. &lt;a href="http://bdh.bne.es/bnesearch/biblioteca/Trece%20cr%C3%B3nicas%20de%20viaje%20por%20China,%20Mongolia,%20Jap%C3%B3n,%20Filipinas,%20Bali,%20Siam%20y%20la%20India%20:%20%20%20ilustradas%20con%2097%20grabados%20en%20el%20texto%20y%2031%20l%C3%A1minas%20separadas%20%20%20/qls/Martorell%20T%C3%A9llez%20Gir%C3%B3n,%20Ricardo%20(1905%201937)/qls/bdh0000229913;jsessionid=6A22DCEDBBB50182D9303039AFC744B4"&gt;Trece cr&amp;oacute;nicas de viaje por China, Mongolia, Jap&amp;oacute;n, Filipinas, Bali, Siam y la India&lt;/a&gt;. Madrid: Estanislao Maestre, 1933 / Biblioteca Digital Hisp&amp;aacute;nica</text>
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                  <text>1933</text>
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                  <text>Xavier Ortells-Nicolau</text>
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      <name>08 Objeto gráfico</name>
      <description>A resource requiring interaction from the user to be understood, executed, or experienced. Examples include forms on Web pages, applets, multimedia learning objects, chat services, or virtual reality environments.</description>
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                <text>&lt;span&gt;Portada de 'Trece crónicas de viaje', de Ricardo Martorell&lt;/span&gt;</text>
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                <text>1933</text>
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&lt;div class="element-text"&gt;MARTORELL TÉLLEZ-GIRÓN, Ricardo.&amp;nbsp;&lt;a href="http://bdh.bne.es/bnesearch/biblioteca/Trece%20cr%C3%B3nicas%20de%20viaje%20por%20China,%20Mongolia,%20Jap%C3%B3n,%20Filipinas,%20Bali,%20Siam%20y%20la%20India%20:%20%20%20ilustradas%20con%2097%20grabados%20en%20el%20texto%20y%2031%20l%C3%A1minas%20separadas%20%20%20/qls/Martorell%20T%C3%A9llez%20Gir%C3%B3n,%20Ricardo%20(1905%201937)/qls/bdh0000229913;jsessionid=6A22DCEDBBB50182D9303039AFC744B4"&gt;Trece crónicas de viaje por China, Mongolia, Japón, Filipinas, Bali, Siam y la India&lt;/a&gt;. Madrid: Estanislao Maestre, 1933 / Biblioteca Digital Hispánica&lt;/div&gt;&#13;
&lt;div&gt;&amp;nbsp;&lt;/div&gt;&#13;
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      <name>03 Fotografía</name>
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            <name>Title</name>
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                <text>Fotografía de Marcela de Juan y el periodista Vicente Sánchez Ocaña</text>
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                <text>1928</text>
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            <name>Description</name>
            <description>An account of the resource</description>
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                <text>La fotograf&amp;iacute;a de Zapata acompa&amp;ntilde;a un art&amp;iacute;culo-entrevista de Vicente S&amp;aacute;nchez Oca&amp;ntilde;a a Marcela de Juan para &lt;em&gt;Estampa&lt;/em&gt;.</text>
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            <description>A related resource from which the described resource is derived</description>
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                <text>S&amp;Aacute;NCHEZ OCA&amp;Ntilde;A, Vicente, "Descubrimiento y conquista del amor por los chinos. La se&amp;ntilde;orita 'Visi&amp;oacute;n' de Piedra Preciosa", &lt;em&gt;Estampa&lt;/em&gt;, a&amp;ntilde;o 1, N&amp;ordm;. 34, 21 de agosto de 1928.</text>
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        <name>Marcela de Juan</name>
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        <name>Vicente Sánchez Ocaña</name>
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      <name>08 Objeto gráfico</name>
      <description>A resource requiring interaction from the user to be understood, executed, or experienced. Examples include forms on Web pages, applets, multimedia learning objects, chat services, or virtual reality environments.</description>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Portada de 'Cómo me escapé de Siberia y conocí a Chang-Kai- Shek', del Conde Karol de Czola-Ölai</text>
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            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>1942</text>
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                <text>CZOLA-ÖLAI, Karol de,.&lt;em&gt; Cómo me escapé de Siberia y conocí a Chang-Kai- Shek&lt;/em&gt;. Madrid: Espasa Calpe, 1942.</text>
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            <name>Description</name>
            <description>An account of the resource</description>
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                <text>José Eugenio Borao ha defendido que bajo el Conde Karol de Czola-Ölai se encuentra en realidad Julio de Larracoechea. Más allá de que Czola-Ölai al revés nos de Olaizola, Borao ha cotejado el libro del supuesto conde con &lt;em&gt;&lt;a href="http://ace.uoc.edu/exhibits/show/en-el-pais-de-los-chinos/item/91"&gt;Ramonchu en Shanghai&lt;/a&gt;, &lt;/em&gt;de Larracoechea, y ha encontrado numerosas similitudes en temas, época y tratamiento.</text>
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                <text>BORAO, José Eugenio. “&lt;a href="http://homepage.ntu.edu.tw/~borao/2Profesores/Larracoechea.pdf"&gt;Julio de Larracoechea (1901-1999): Vicecónsul en Shanghai (1932-1936) y novelista de la ciudad del Wangpú&lt;/a&gt;”, &lt;em&gt;Encuentros en Catay&lt;/em&gt;, 12 (1999), pags. 1-50.</text>
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      <name>03 Fotografía</name>
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                <text>Fotografía de Julio de Larracoechea en su boda con María de los Ángeles Jansoro </text>
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            <name>Date</name>
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                <text>&lt;em&gt;Mundo gr&amp;aacute;fico&lt;/em&gt;, a&amp;ntilde;o XX, N&amp;ordm;. 956, 26 de febrero de 1930 / Biblioteca nacional de Espa&amp;ntilde;a.</text>
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                <text>Fotografía obtenida en el enlace de Julio de Larracoechea con María de los Ángeles Jansoro celebrado en Neguri (Vizcaya).</text>
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      <name>03 Fotografía</name>
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                <text>Fotografía de Mateo y Darío Beraha</text>
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                <text>1940 (ca.)</text>
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                <text>Mateo Beraha (primero por la izquierda) y Darío Beraha (centro) junto a personal directivo de la firma Beraha &amp; Statten y una actriz en un acto promocional. La fotografía pertenece a la firma Omtis Wines de Hong Kong, dirigida por los herederos de los Beraha en China. </text>
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                <text>&lt;a href="http://www.omtisfinewines.com/our-business/"&gt;Omtis Fines Wines&lt;/a&gt;</text>
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      <name>08 Objeto gráfico</name>
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              <text>Pintura al óleo sobre papel, 46 x 36cm</text>
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            <description>A name given to the resource</description>
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                <text>&lt;em&gt;Chinese man with hat&lt;/em&gt;, de Yun Gee</text>
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                <text>Pintura al óleo de Yun Gee 朱沅芷 (Guangdong, 1906 - Nueva York, 1963) en la que retrató a su amigo el escritor  Fu Zhaohua 傅兆華 (llamado en España Fu Chau-fa).</text>
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                <text>The Mitchell Wolfson, Jr. Collection</text>
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        <name>Fu Zhaohua</name>
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        <name>pintura</name>
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        <name>Yun Gee</name>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Retrato de Antonio Ramos Espejo</text>
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                <text>Antonio Ramos Espejo (1875-1944) fue uno de los pioneros del cine en Asia y propietario de ocho cines en China.</text>
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        <name>Antonio Ramos</name>
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